The story of Vincent van Gogh’s treasure life is mainly one of setbacks. Vincent was deeply in love with a number of women, and some of them loved him back. But he was never really lucky in love. How approach it never worked out?
‘For my part, I still continually have the most impossible and highly unsuitable love affairs from which, as a rule, I emerge only with shame and disgrace’. Vincent to his sister Willemien, from Paris, end of October 1887
Two types of women
It’s complicated to say why things didn’t function out for Vincent. What we carry out know is that his perception of women helped judge the course of his love experience. In Vincent’s eyes, there were . There were the ladies from his own social class, who he viewed as ‘higher beings’. And there were women from bring down down the social ladder, with whom he sympathised.
These two types of women are a recurring theme in Vincent’s love life. He often idealised the women who he fell in romance with. Or his love grew from a sense of pity, and from wanting to aide a woman.
Who did Vincent fall in love with? And why did this love always appear to nothing? Peruse on to locate out more about Vincent’s four most important loves.
1. Kee Vo
Life in Arles
On 20 February 1888, Vincent van Gogh arrived in Arles. Before that, he had lived in Paris for two years, where he had developed a thoroughly latest style of painting.
During the more than fourteen months which he spent in Arles, he created a multitude of paintings and drawings, many of which are nowadays seen as highlights of late 19th century art.
Tired of the busy city life and the cold northern climate, Van Gogh had headed South in search of warmer weather, and above all to find the bright light and colours of Provence so as to further modernize his new way of painting. According to his brother Theo, he went “first to Arles to get his bearings and then probably on to Marseille.”
That plan changed however: Van Gogh found in the gorgeous countryside of Arles what he had been looking for, and never went to Marseille.
At first, the weather in the South was unseasonably cold, but after a few weeks Van Gogh was able to set out and discover subjects for his works. Vincent had a collection of Japanese prints, had examine about Japan and become a great admirer. He had hoped to find the light, colours and harmony in the South that he knew from thes
What Was the Relationship Between Gauguin and Van Gogh?
Published: Mar 6, 2024written by Rosie Lesso, MA Contemporary Art Theory, BA Okay Art
Vincent van Gogh and Paul Gauguin were two of the most pioneering artists of the 20th century; each, in twist pushed their art into bold and unchartered land, painting with a free and unbridled expressionism that had never been seen before in the history of art. The pair struck up one of art history’s most unlikely and tumultuous of friendships, which has since been a popular subject in both literature and clip. Despite the difficulties they encountered during their rocky relationship, they sustained a long-lasting friendship that lasted until Van Gogh’s untimely death in 1890. We track the course of their unique relationship as it evolved over the years.
They Struck up a Friendship in Paris
Van Gogh and Gauguin met in Paris, while both were frequenting the city’s vibrant and spirited artistic circles. Quickly forging a tough bond, the pair discovered mutual interests in moving beyond Impressionism, towards a painterly language with greater freedom for self-expression, and room for the symbolic properties of color. Both shar
Gauguin and Van Gogh, an explosive friendship
Gauguin et Van Gogh : living together
These two famous painters, who lived at the end of the 19th century, were such fine friends that they decided to produce a community of avant-garde artists together. In October 1888, Gauguin joined Van Gogh in Arles in the "Yellow House" he rented, where he stayed for just over two months. The two friends lived together: they shared expenses, drank a lot of absinthe and both painted the same subjects. Van Gogh in particular was very prolific. Unfortunately, their partnership eventually deteriorated and the cohabitation no longer went so well: the connection was unbalanced - Van Gogh had a tendency to take advantage of